Trends of sadism and hate in melancholia by Sigmund Freud

28/09/2015 / 0 comments

The self-tormenting in melancholia, which is without doubt enjoyable, signifies, just like the corresponding phenomenon in obsessional neurosis, a satisfaction of trends of sadism and hate which relate to an object, and which have been turned round upon the subject’s own self in the ways we have been discussing L’auto-martyrisation, sans aucun doute exquise, de…

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Shadow of the object fell upon the ego by Sigmund Freud

24/09/2015 / 0 comments

L’ombre de l’objet est ainsi tombée sur le moi. Thus the shadow of the object fell upon the ego FREUD S., Deuil et mélancolie (1917), PBP, Paris, 2011, p. 56

Identification to the lost object by Sigmund Freud

09/09/2015 / 0 comments

Then, it [libido] wasn’t used to anything but to create an ego’s identification to the lost object. Là, elle [la libido] n’a pas trouvé n’importe quel emploi, mais a servi à créer une identification du moi avec l’objet perdu. FREUD S., Deuil et mélancolie (1917), PBP, Paris, 2011, p. 56

The object’s investment withdew in the ego by Sigmund Freud

04/09/2015 / 0 comments

The object’s investment, which reveals being resistanceless, has been removed, and the liberated libido has not been transferred on another object, but it withdrew in the ego. L’investissement d’objet, se révélant peu résistant, a été supprimé, et pourtant la libido libérée n’a pas été reportée sur un autre objet, mais elle s’est retirée dans le…

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An object’s loss hidden to consciousness by Sigmund Freud

03/09/2015 / 0 comments

Melancholy focuses, in a way, on an object’s loss hidden to consciousness, unlike the mourning, in which the loss is clearly not unconscious. La mélancolie porte, en quelque sorte, sur une perte d’objet dérobée à la conscience, à la différence du deuil, dans lequel la perte n’a rien d’inconscient. FREUD S., Deuil et mélancolie (1917),…

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Self-reproaches blame the beloved object by Sigmund Freud

02/09/2015 / 0 comments

We may get the key of the clinical picture by perceiving that reproaches which patient is addressed are actually blaming a beloved object, that he has turned against his ego. On obtient ainsi la clef du tableau clinique en percevant que les reproches que s’adresse le malade sont en fait des reproches à un objet…

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